DUNES | Take Me To The Nasties | ALBUM REVIEW

Dunes | Take Me To The Nasties | Album review

Review by: Graeme J Baty

 

Here’s a band that I’ve followed since their early days. That said, technically it still is the “early days” as the band have only been going since around late 2016. They’ve been consistently brilliant live and have carved their own little niche in the Northeast scene.

What they do, they do really well and it’s impossible not to adore their sound. Some critics might be a bit harsh in comparing them to some obvious influences (that will not be mentioned here!). It’s all too easy to dismiss music that way and not truly enjoy it for what it is. Dunes make fantastic anthemic riff-fests with tongue in cheek witty lyrics. There is nothing quite like them in the local scene and they’ve been a delight to witness as they evolved from their fist lineup as a four-piece then moving smoothly to three-piece as guitarist Scott departed. Since then they’ve released two well received EPs and have played countless gigs around the country.

At long last we get their debut LP! The LP will be released on legendary Durham based label Sapien Records (We Are Knuckle Dragger, Big Lad, Steve Strong). I’ve been basking in this rifforama album for a month or two and have been trying to put it into words. I’m not sure I can. To me, Dunes is more of a feeling than a definable sound. They bring a smile to my grumpy face.

The title track ‘Take Me To The Nasties’ kicks off the record and is classic Dunes. A well-placed track allows them to set out their stall and prepare you for a hook and riff barrage. Ten meaty tracks, smashed out in just under 43 minutes. It’s a no-nonsense, no ostentation album that will draw you back for repeated listens. Denim Casket proves the album standout and has become a live favourite recently.

The sound and production is really solid, the bass tone is simply lush, that coupled with one of the finest drummers in the region and the magic touch of singer/guitarist John Davies, everything he seems to be involved with turns to audio gold. The production recorded at their rehearsal rooms by Graham Thompson remarkably captures the Dunes sound and brings a vibrant live feel, yet polished and subtle. It’s the perfect balance for a band like Dunes. No gross over production and endless overdubs. The sound is minimal and all the more impactful for it.

It’s an album that you just want to crank up and bob your head until it hurts. Which, I must admit I have done, sorry neighbours! Dunes are a good old fashioned hook driven party band. It’s simply impossible not to smile and adore this record.

Out on 6th Sept 2019

STEVE STRONG | Turbo Island | ALBUM REVIEW

Steve Strong | Turbo Island | Album review

Review by: Graeme J. Baty

Steve-Strong Turbo-Island

Let’s get 2019 off to a Strong start, sorry had to! Joking aside the new feature-length album from Steve Strong is anything but weak. A tour de force of musical prowess and creativity. Highly accomplished, multi-instrumentalist Steve Strong releases his new album Turbo Island.

This might be the first review I’ve done based purely on reputation, I must admit I’ve not heard his music before. Hearing nothing but praise for his live performances and his record labels past history, I instantly said yes! For those (like me) who are unfamiliar; Steve is a one-man band, and although in Steve’s case that term is possibly a red herring. The term conjures images of a stereotypical gnarly bearded guitar and kickdrum situation, which is understating plethora of equipment Steve Strong nestles behind during his live performances.

Ten tracks of sublime mellow instrumental goodness. Lovely clean guitar tones reminiscent of Toe (the Japanese band) lend themselves to some nice early morning chill vibes. It’s been my morning commuting soundtrack, a delightful air of calm emanating from my iPod, while the world rushes around me.

I absolutely adore the song titles, Deline Cion, Life After Post Rock and Sensible Skeletons all bring a smile to this curmudgeons face. Intro track Gravel Gardner also amuses and proves to be a highlight of the album with some very accomplished percussion.

From the start, I’m fully engrossed. I’ve had the record on repeat for an most of the week. 2019 is shaping up to have some rather special records, Teeth of the Sea record actually fits quite nicely side by side and there’s certainly a cross over for audiences there.

Full credit to his creative process, the songs sound like full band compositions. The amount of coordination and dexterity to perform these pieces as a solo act is nothing short of miraculous. This is his second full-length album and is certainly his strongest release to date. Turbo Island is an album of overwhelming compositions and creativity. A math-rock masterpiece.

Out tomorrow (18th Jan 2019) on Durham based Sapien Records, home to many diverse and talented acts including our much loved We Are Knuckle Dragger and Shitwife (aka Big Lad). Out! Head over to his Bandcamp page for some rather awesome looking records