Edwyn Collins continues to put out some of the most exquisite music around, with every album he provides incessantly infectious tracks. Badbea is no different and tonight is the opportunity for him to bring that album to life in the always wonderful surroundings of the Boiler Shop. Astrid open the show with an equally catchy set, their hook-laden tracks are almost instant earworms and cannot be faulted.
Their short set certainly has a positive effect and paves the way for the brilliant Edwyn Collins to follow. Opening with new track Outside he wastes little time in getting stuck in, with stand out track Losing Sleep following close behind. There is an enthusiasm and passion that underpins this set, Edwyn is in his usual playful mood promising that many of these tracks are the ‘good’ ones.
The fact of the matter is there isn’t really a bad track throughout his set, there are a slew of Orange Juice tracks peppered throughout this set. These tracks still pack a punch today, with the likes of What Presence? And I Guess I’m Just A Little Too Sensitive both featuring early on. Of course A Girl Like You also goes down a storm with this packed audience.
The latter part of the set is where he really lights it up, with the likes of Rip It Up uniting the entire crowd in song as well as Don’t Shilly Shally which also inspires a similar sing-along. Returning for the encore it’s not difficult to feel the love for this man as it permeates throughout the room.
He closes out with the title track of his latest album Badbea and follows that with the brilliant Falling and Laughing, it rounds off a perfectly balanced set which is filled with many of his finest tracks. Tonight Edwyn Collins is truly on top form, and still proving what a wonderful songwriter he truly is.
The Boiler Shop continues it’s now established a reputation for attracting stunning artists to the region. I can’t honestly say I’d ever expected to see thee Kenny Wayne Shepherd in Newcastle. This was one of those must-see shows! Judging by the sell-out (or very very close to a sell out) I am not alone in grabbing this opportunity by the bullhorns!
It’s an early show and the heavy summer rain ensure that everyone is sheltering in the venue enjoying a pint when support act Jarrod Dickenson and his wife Claire take to the stage for a rather humble and delightfully slow-paced set. Offering a sublime Americana, folk-tinged blues proving a perfect mellow start to the evening.
Kenny Wayne Shepherd is enough to draw in a crowd tonight but this is not just a Kenny show. He’s assembled a rather stunning lineup of musicians. In fact, it becomes quite a who is who of the blues-rock world! I’ll not go into the boring details but if you’re reading this I am sure you know who these chaps are and just how incredible a lineup it is.
They deliver a diverse range of songs, taking to the stage with a Women Like You, through to Turn to Stone. The evening seems to whizz by in the blink of an eye as they take to the stage for the encore. It’s a relatively short and succinct set, perhaps perfectly timed some might say. I was certainly left wanting more, although some of these types of shows can prove a marathon-esque task to get through. Not tonight, it’s a fast-paced pow-wow of a masterclass. Voodoo Chile ensures the guitar nerds get their fill of stunning playing with this massive and jaw-dropping version of the classic Hendrix song.
As a precursor to her slew of festival shows in the weeks and months ahead, Roisin Murphy decided to warm up for these in Newcastle. Opening tonight are duo Audiobooks, the pair initially don’t strike you as a typical duo and their music reflects that. Acclaimed and in demand producer David Wrench’s beats are crisp and clean, and they sound particularly pleasing in this wonderful venue. However, the same cannot be said for the bewildering Evangeline Ling whose vocals rather than enhancing the beats they sit atop, instead fail to enthuse.
Their sound is definitely unique but perhaps not in the right way, the culmination of their set sees Wrench shredding through a plethora of riffs whilst Ling screeches through the final track. The build up to Roisin Murphy’s set starts the best part of fifteen minutes before she even takes to the stage, a palette cleansing drone that slowly builds accompanied by looping visuals. As the lights dim and the band take the stage, Murphy makes her grand entrance opening with House Of Glass. This heavy number setting the tone for what is to come.
It’s a night of many costume changes, Murphy’s on stage wardrobe is truly impressive. Personal favourites Demon Lover and Ten Miles High featuring early in this superb set. However, by far the best costume and accompanied song is Plaything, as Murphy carries her silver ‘plaything’ around the stage. Sparking a significant crowd reaction as she twirls it around, it’s not just about that however as the song itself is particularly vibrant and packed with unbridled energy.
That is true of most of this fervent set, with Murphy barely stopping to draw breath the majority of the time. Without doubt she is in incredible form tonight, closing out her set with Overpowered and Flash Of Light you cannot help but be overcome by her style and manner. She has this crowd hanging off her every word, as they dance their night away. Roisin Murphy proves without a doubt how truly brilliant she is tonight with this insanely impressive set, it’s predominantly effortless her costume changes her relentless excitement all of which rubs off on to this elated crowd.