RUSSIAN CIRCLES | Blood Year | ALBUM REVIEW

Russian Circles | Blood Year | Album review

Review by: Jimmy Hutchinson

Chicagoans Russian Circles have been steadily releasing material since 2004’s self-titled EP, and Blood Year is their seventh LP to date.

The record begins with the mournful, restrained ‘Hunter Moon’, before segueing rapidly into album highlight ‘Arluck’. This second track begins with insistent drumming and a distorted bassline, before guitarist Mike Sullivan unleashes a series of intricate lines and riffs which jump out of both sides of the stereo field. Despite its sonic assault, the track is restrained in its layering, and therefore retains a fairly sparse quality. This allows the drums – recorded in Steve Albini’s studio – room to breathe.

Blood Year may arguably be Russian Circles’ heaviest and least compromising record yet, although the band members take their time to develop the dynamics on even the busiest tracks. ‘Kohokia’, for example, features an excellent performance from the rhythm section (Dave Turncrantz on drums and Brian Cook on bass), who anchor the piece while Sullivan runs through a varied set of textures – including an uplifting harmonic break reminiscent of 2011’s ‘Mladek’.

Most of the songs are over six minutes long – the two quieter, shorter pieces serving as introductions to each side of the record. ‘Sinaia’ is Blood Year’s longest piece, and one of its most intense. After seven minutes of furious tremolo picking, the guitars drop out altogether, leaving Turncrantz to finish the track on his own.

Judging by the relentless, sludgy riffs on ‘Quartered’, someone was ‘hung and drawn’ too… It’s a dark and stormy end from a band who have often finished their albums with quieter, pensive pieces (e.g. ‘Praise Be Man’ on 2011’s Empros, or the title track on 2013’s Memorial). 15 years into their career, Russian Circles show no signs of compromising their vision, although their ability to structure tracks and balance dynamics continues to grow.

Blood Year is available on vinyl and CD (or as a digital download) from Sargent House on the 2nd of August. Make sure you get a copy, and try to catch them live as well.

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