Earth | Full Upon Her Burning Lips | Album review
Review by: Jimmy Hutchinson
Earth was formed in Olympia, Washington 30 years ago, and Dylan Carlson is the only remaining original member. The line-up for the band’s ninth studio album features Carlson on guitar and bass, and Adrienne Davies on drums.
‘Datura’s Crimson Veils’ sets the tone for most of the record – Carlson’s overdriven guitars play monolithic (but not unmelodic) riffs, accompanied by Davies’ slow-moving, expressive drums and percussion. At no point does the band sound quite as ominous as it did on Earth 2: Special Low Frequency Version, but Earth’s approach has drifted over the years from aggressive drone frequencies to angular, psychedelic-flavoured riffs which slowly envelope the listener. This approach is especially apparent on the longer tracks, and ‘She Rides an Air of Malevolence’ is certainly not for the faint-hearted.
While Carlson has deliberately toned down the use of effects, ‘Descending Belladonna’ features some whirring modulation. Meanwhile ‘Maiden’s Catafalque’, with its languorous phrasing and use of slow delay, is somewhat reminiscent of Fripp & Eno’s experiments on 1975’s Evening Star. The snakelike guitars create a disquieting atmosphere, and here the drums take a little more of a back seat.
Rhythm is very much at the forefront on ‘The Colour of Poison’, however – its abrupt stop/ start nature suggesting at times that the track has entirely ground to a halt, before it shifts a gear into Sabbath riff territory. (Lest anyone forget, ‘Earth’ was Black Sabbath’s original name.)
Carlson has certainly achieved a ‘more upfront and drier sound’ on this album. There is so much space in these sparse recordings that it almost feels at times like the guitars are setting the speed while the drums are adding the tonal colour. (That’s not intended as a criticism: Carlson reportedly felt that drums were buried in the mix on previous Earth albums and decided to grant them greater sonic space here.)
If it’s perhaps true that there was a little more dynamic range on Carlson’s solo album Conquistador from last year, this release is still a majestic beast, and Davies’ restrained but powerful drumming is a highlight.
Full Upon Her Burning Lips is available from Sargent House in a variety of formats (including double vinyl) on May 24th.